Bayyinah C. Pierre
Prof. Sacha Frey
Intro Lit/Crit Arch I
December 17th, 2012.
Mapping
what is not there: My Final Project.
As
I am written this paper, I think about the wise words of James Corner. Corner
writes in the first couple sentences of his essay: “Mapping is a fantastic
cultural project, creating, and building the world as much as measuring and
describing it. Long appreciated with the planning and design of cities,
landscapes and buildings, mapping is particularly instrumental in the construing
and construction of lived space.” Since my created embodied spaces don’t have
an actual space on a traditional map, I decided to map what is not there; what
is missing; what is essential. With the help of two different, but relevant
landmarks in the United States, I embodied my spatial spaces and experienced
what others would experience in the practiced spaces. One of the landmarks is
right here in Brooklyn, NYC, The Brooklyn Bridge; the other in Colorado, the
Grand Canyon Skywalk. My final project is based on the verb “to gather”, the
spaces become the noun gathering, and the verb reflects to numerous activities
performed in space.
A
lot of activities are to be performed in the overall space. People can walk with
their families, listen to music, seat and have lunch in the second space.
Overall the site and the building are public. Public but private at the same
time… When one walks the scared slabs in New York City, you often find yourself
in your own place. You feel lonely when hundreds of others are walking the
street as you. With that in mind, I
wanted my space to be sanctuaries, spaces you practice and embody. I wanted
people to feel important, the world belongs to them by creating a space where
the connections between humans were turned off to emphasize the connection
between man and nature. Most of us have
lost that connection, we forget about our environment, the community we live
in. We forget about the mapping process, we simply trace. We put things in
their designated spaces so we don’t have to look for it. We simply overlook our
actions and its impacts on other generations. Many architects use the word interaction in their
concept for their design. I personally think it’s an excellent idea to try to reconnect
man, but they are going about this the wrong way. Before a man and another man
can interact, the men need to interact with nature first.
Re-visiting the process I had gone through to create my
spaces, the first thing I did was create a ground plane. I had the freedom to create
my own ground plane, we all did. I could have been simple meaning flat or
slanted. It all depended on what concept I was going to go with and honestly, timing.
Stuck between two choices, I went back to my roots. I was born in the United
States and raised in Haiti. I have learned a lot there, I’ve acknowledged: jazz,
drums, mountains, and water were a part of your daily life. “Why not included my roots?” I said, excitedly. I wanted my project to be different, to have
something no one had. My ground plane involves my lofted model from a previous
assignment. The lofted model is embedded into the rock which is a cliff. The
lofted model is also penetrating the water.
My
first architectural piece, my secondary space was created by meeting together every
paper model at the corners or ends. At the end, it created a “Y” structure. In
Rhino, I floated the structure without even remembering the consequences. In
Rhino, there’s no gravity. Any object can float, it is very easy to move something
upwards and forget about its weight. When I assembled the model outside of
rhino but in the physical world, it was very hard to float the space. It’s was
too heavy even though it was constructed out foam, balsa (some type of wood), basswood
sticks and plexiglass. It was a place
where people can walk on the skywalk look at the beautiful view, and hopefully
they would take something out of the experience. This is where; my landmark,
Grand Canyon Sky-walk helped me again. People visit and travel to Arizona to
take steps on the glass pathways. Most walk on the side for security and others break-dance in the middle of the glass. Even though I have never been there, I
know what it feels like, I’ve read people’s opinions about their experiences
and the structure itself.
My
second structure architectural structure, the hybrid space is in an area where
you could seat, eat, or relax. There are added steps so people can sit. The hybrid
space is just a scaled version of my partner’s paper model. We had to take one
of ours and one of theirs to create space that people could embody. Just like
the last one, this space was created physically with the same material as the
last one. The hybrid is the biggest space in my model, a good number of people
could be up there.
My
third structure, my tertiary space is the entrance of the site. It is where you
enter or exit by boat. Although my other spaces were floated about ground, it
was floated on sea water. As you enter, you see musicians playing as a sign of
welcome. It is also made out of foam, balsa, plexiglass and basswood sticks. It
was created by attaching two of my own paper models in Rhino.
The
three spaces were very different from each other; they served their own purpose
which is why I created different skins for the three. The skin of the space is
determined by the number of triangles and the length of the base of the
triangles. Ex: If the base of a larger triangle equals six. Six is divided by
three, the number of sides, equaling to two. Conclusion: two triangles now sit
within the bigger triangle. The skin relates back
to one of my original hand-draw point drawings. The triangles were drawn by
joining the 3rd trial of pencil drops together on an 18 by 18 grid. I
translated the drawing by creating a gridded frame, inserting triangles at the
intersections, and trimming down parts of the triangle. The
stripped horizontal skin allows light to penetrate through, opening the small qualitative
space even more. The overall skin will produce incredible shadows at night. The
plexiglass are one inch tall.
The
most essential auditory experience created by architecture is tranquility. Architecture presents the drama of construction
silenced into matter, space and light.
Ultimately architecture is the art of petrified silence writes Pallasma
(p51). My spatial qualities were created
to fit the landscape and its echoes.
Bayyinah
C. Pierre
Reflection
and Cover Page.
I
enjoyed going to class every day even though I wanted to sleep. I wanted to do
much better for this, but design and technics was put in front of it. More time
to read and comprehend the texts more would have improved my understanding of
the course and Design. I’ve learned so much from this class. Thank You Prof.
Frey for helping us understanding Design I better, those discussions helped in
terms of the language I wanted to use when I presented my project. Thank You
for understanding my grammar, giving me an opportunity to fix my essay.
Thank You so much, Bayyinah